Proposals are built from blocks in a visual editor, and every proposal renders as a scrollable web page, an A4 print document with your letterhead, and a 16:9 slide deck, without rebuilding anything.

A new proposal opens with the blocks in a working order: cover, project information, description, design process, scope, timeline, investment, about, team, next steps, terms.
Pull any of the nineteen block types in from the library, drag blocks into the order you want, and pick a layout per block. Text edits happen in place.
The preview switches between the scrolling web view, the A4 document and the 16:9 deck. Overflow and page breaks show up here rather than in a client’s inbox.
Share it as a live link, or export the document as a PDF or Word file and the deck as slides.
A proposal is assembled from typed blocks rather than a blank page, so the investment table knows it is an investment table. The variation lives in the layouts each block offers.
The same proposal is a scrolling page for the client who opens it on a phone, an A4 document for the one who prints it, and a deck for the meeting where you present it. You build once.
The parts of an editor you only notice when they are missing: undo that works, autosave that tells you it saved, and a warning before you close a tab with unsaved work.
| What changes | Word or InDesign | AirQuotes |
|---|---|---|
| Starting a document | Duplicate the last one and strip it out | Blocks arrive in a working order |
| Changing the fee | Edit the table, then the summary, then the schedule | Edit the investment once; the schedule follows |
| A deck as well | Rebuild it in Keynote | The same document, switched to 16:9 |
| Fight the page breaks | A4 view shows the breaks while you edit | |
| Branding | Restyle each new file | Applied from the studio brand kit |
| Images | Source them elsewhere and place them | Stock search in the editor, focal point set by hand |
| Two people editing | Send versions back and forth | One document, edits saved as they happen |
Scroll the table sideways for the AirQuotes column.
Blocks and their layouts are the unit of control. You are not dragging a text box to an arbitrary coordinate, and a proposal that needs that belongs in InDesign.
Content that only works in one shape will look compromised in the other two. The per-format layout override exists because that happens, and it needs your judgement.
The layouts are competent starting points. Choosing which one suits this client, and cutting the sections that are padding, is still the work.
Nothing here makes a forty-page document persuasive. The editor makes it faster to produce, which is not the same thing.
Nineteen, covering the cover page, project information and description, design process, scope of work, timeline, investment table, mood board, previous projects, team, about us, text sections, image blocks, quote pages, numbered grids, next steps, terms and the signature block.
Yes. There is one document underneath and the formats are views of it, so a change to a phase description appears in all three. Where a layout genuinely needs to differ, a block can hold a per-format override.
Yes. The document view exports as an A4 PDF and as a Word file with the tables and styling intact, and the presentation view exports as slides.
The A4 view paginates as you edit, so a block that would split across a page break shows that while you are working rather than after you export.
Yes. Work saves as it happens with a visible status, and you get a warning if you try to leave with changes still pending.
Upload your own, or search stock photography without leaving the editor. Any cropped image lets you set the focal point yourself, so a face or a building does not get cut in half by a different aspect ratio in another format.
Beta access is free for two months on the Studio plan. Applications are reviewed manually, and approved studios build their first proposal from their own brief.
Apply for beta →