Brand Fetch reads your studio website and extracts your color palette, logo, typography, and studio details, mapped and ready to apply. Every proposal you make carries them from then on.

Brand Fetch reads the page and pulls out what it can find: a colour palette, logo candidates, the heading and body typefaces, and your studio details.
Colours arrive mapped to roles rather than as a pile of hex codes, and logo candidates are ranked. You confirm or correct before anything is applied.
The kit is saved once per studio: colours, three typography slots for headings, body and labels, and your name, address and contact details.
Set the header and footer for the A4 view, in minimal, standard or detailed. Every proposal in every format carries the kit from then on.
A studio website already carries the brand. Rather than asking you to type hex codes, the fetch reads the page and proposes a kit you correct rather than build.
yourstudio.com
Branding is a studio setting rather than a per-proposal one, so a change to your accent colour reaches the next proposal without anyone remembering to apply it.
Most of what makes a proposal look like your studio is not the logo. It is whether the images are yours, cropped properly, and relevant to the project in front of the client.
| What changes | By hand | AirQuotes |
|---|---|---|
| Setting up branding | Restyle a document and hope the next one matches | Fetched from your site, saved once per studio |
| Colour | Pasted hex codes, drifting between files | Mapped to roles and applied everywhere |
| Typography | Whatever the last template used | Three slots, set per studio |
| Letterhead | A header you paste into each new file | Configured once, applied to the A4 view |
| Rebrand | Every template updated by hand | Change the kit; new proposals follow |
| Image crops | Whatever the aspect ratio decides | A focal point you set |
Scroll the table sideways for the AirQuotes column.
It reads a public web page. A site built as one large image, or one behind a login, gives it very little to go on, and what it does find still needs your eye on it.
Fonts are matched against the families available in proposals. A licensed display face used only on your website will be approximated rather than reproduced.
Colours and type make a proposal recognisably yours. They do not make it well designed, and a bad layout in the right palette is still a bad layout.
Changing the kit affects proposals from that point on. A document already sent to a client stays as the client saw it, which is usually what you want.
Everything it finds is shown for review before it is applied, and every value stays editable afterwards. It is quicker to correct two colours than to enter nine.
Yes. Six brand kits are built in, and you can set colours and typography by hand. The fetch exists to save the setup, not to gate it.
Across all three formats: the online view, the A4 document and the presentation. The letterhead is specific to the document view, where a header and footer make sense.
Yes. Colours can be overridden per block, and a proposal can carry its own design settings when a particular client or project calls for it.
Minimal, standard or detailed, which control how much of your studio detail appears in the header and footer of each A4 page.
Beta access is free for two months on the Studio plan. Applications are reviewed manually, and approved studios build their first proposal from their own brief.
Apply for beta →